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	<title>Comments on: The Nature of Conflict</title>
	<atom:link href="http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/</link>
	<description>- A Blog by Syd Field</description>
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		<title>By: Keith</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-353</link>
		<dc:creator>Keith</dc:creator>
		<pubDate>Mon, 02 Jan 2012 08:45:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-353</guid>
		<description>Just getting started!  I&#039;m a former US Submariner and later an Air Force Special Operations Intelligence Analyst.  I want to start writing action/thrillers similar to Clancy or Flynn.  I have tons of personal experience as a &quot;spook in the shadows,&quot; but not sure how to &quot;weave&quot; the story.  Any suggestions?</description>
		<content:encoded><![CDATA[<p>Just getting started!  I&#8217;m a former US Submariner and later an Air Force Special Operations Intelligence Analyst.  I want to start writing action/thrillers similar to Clancy or Flynn.  I have tons of personal experience as a &#8220;spook in the shadows,&#8221; but not sure how to &#8220;weave&#8221; the story.  Any suggestions?</p>
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		<title>By: Syd</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-340</link>
		<dc:creator>Syd</dc:creator>
		<pubDate>Sun, 14 Aug 2011 18:25:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-340</guid>
		<description>Hi Will:
Conflict is conflict - we can learn from the old as much as from the new. Just make the distinctions of whether it&#039;s an internal conflict or an external conflict!

Syd</description>
		<content:encoded><![CDATA[<p>Hi Will:<br />
Conflict is conflict &#8211; we can learn from the old as much as from the new. Just make the distinctions of whether it&#8217;s an internal conflict or an external conflict!</p>
<p>Syd</p>
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		<title>By: Will</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-330</link>
		<dc:creator>Will</dc:creator>
		<pubDate>Mon, 25 Apr 2011 13:01:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-330</guid>
		<description>I guess that I should broaden my taste in movies. Most of the films I prefer to watch are the old black &amp; white movies such as &#039;What Ever Happened to Baby Jane Hudson?&#039;, &#039;All About Eve&#039;, the &#039;Battle of Britain&#039;, etc., etc. (It&#039;s my mother&#039;s fault.) But I suppose a would-be screenwriter could learn just as much about conflict, internal or external, from the &quot;oldies&quot; as he or she would learn from contemporary cinema. Or am I on the wrong track altogether? 
   These podcasts, your books and video tutorials are excellent. Thank you very, very much.</description>
		<content:encoded><![CDATA[<p>I guess that I should broaden my taste in movies. Most of the films I prefer to watch are the old black &amp; white movies such as &#8216;What Ever Happened to Baby Jane Hudson?&#8217;, &#8216;All About Eve&#8217;, the &#8216;Battle of Britain&#8217;, etc., etc. (It&#8217;s my mother&#8217;s fault.) But I suppose a would-be screenwriter could learn just as much about conflict, internal or external, from the &#8220;oldies&#8221; as he or she would learn from contemporary cinema. Or am I on the wrong track altogether?<br />
   These podcasts, your books and video tutorials are excellent. Thank you very, very much.</p>
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	<item>
		<title>By: Anthony</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-329</link>
		<dc:creator>Anthony</dc:creator>
		<pubDate>Tue, 05 Apr 2011 17:37:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-329</guid>
		<description>Thanks Syd!</description>
		<content:encoded><![CDATA[<p>Thanks Syd!</p>
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		<title>By: Syd</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-326</link>
		<dc:creator>Syd</dc:creator>
		<pubDate>Fri, 18 Mar 2011 17:17:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-326</guid>
		<description>Hi Anthony:

I think the only one you&#039;re missing in external conflicts is: &quot;the ability to survive.&quot; Take a look at Cold Mountain for a good illustration of that along with many of the other conflicts. The film is a real lesson in studying the conflict in a script.

Good writing,

Syd</description>
		<content:encoded><![CDATA[<p>Hi Anthony:</p>
<p>I think the only one you&#8217;re missing in external conflicts is: &#8220;the ability to survive.&#8221; Take a look at Cold Mountain for a good illustration of that along with many of the other conflicts. The film is a real lesson in studying the conflict in a script.</p>
<p>Good writing,</p>
<p>Syd</p>
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		<title>By: Anthony</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-323</link>
		<dc:creator>Anthony</dc:creator>
		<pubDate>Fri, 11 Mar 2011 04:08:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-323</guid>
		<description>Syd,
     I have two of your books and I agree with your observations about the shift in both screenplays AND novels due to technology. That is why I am using your structure and guidelines to help me write my (first) novel.I think I am missing one of the 10 types of external conflict. I listened to this a few times but I am only getting nine. Would you be kind enough to tell me which one I missed. I have:

*weather
*natural disaster
*machine (breakdown)
*physical impairment/illness
*war
*economic misfortune
*imprisonment
*the ability to adapt to current times
*the law/breaking the law 

Thanks for helping those of us who may not be &quot;naturally gifted&quot; to understand the craft and giving us a framework to improve!</description>
		<content:encoded><![CDATA[<p>Syd,<br />
     I have two of your books and I agree with your observations about the shift in both screenplays AND novels due to technology. That is why I am using your structure and guidelines to help me write my (first) novel.I think I am missing one of the 10 types of external conflict. I listened to this a few times but I am only getting nine. Would you be kind enough to tell me which one I missed. I have:</p>
<p>*weather<br />
*natural disaster<br />
*machine (breakdown)<br />
*physical impairment/illness<br />
*war<br />
*economic misfortune<br />
*imprisonment<br />
*the ability to adapt to current times<br />
*the law/breaking the law </p>
<p>Thanks for helping those of us who may not be &#8220;naturally gifted&#8221; to understand the craft and giving us a framework to improve!</p>
]]></content:encoded>
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		<title>By: Jackie Wolf-Enrione</title>
		<link>http://www.screenwriterscorner.com/2010/02/10/the-nature-of-conflict/comment-page-1/#comment-245</link>
		<dc:creator>Jackie Wolf-Enrione</dc:creator>
		<pubDate>Wed, 07 Jul 2010 20:45:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.screenwriterscorner.com/?p=87#comment-245</guid>
		<description>Conflict is the motivating force behind a good screenplay.  Conflict drives this writer to continue telling her story.  One cold day in January , 2010 in the Tarrytown Post Office, a chance meeting inspired me to take an obscure character in my story, and make him my lead. And in six short months, a story I had been struggling with since 2000, literally and remarkably wrote itself in six short months. 
 A recent interview sent me back to include a vital aspect of the tangled web. Threading the story line throughout while maintaining conflict to its logical conclusion or resolution is a challenge. Well. This has been a an incredible journey. I&#039;ve grown fond of my main characters. Next week for beTter or for worse, . Sending this out to the person who was the catalyst, making my screenplay come to life. No guts no glory!</description>
		<content:encoded><![CDATA[<p>Conflict is the motivating force behind a good screenplay.  Conflict drives this writer to continue telling her story.  One cold day in January , 2010 in the Tarrytown Post Office, a chance meeting inspired me to take an obscure character in my story, and make him my lead. And in six short months, a story I had been struggling with since 2000, literally and remarkably wrote itself in six short months.<br />
 A recent interview sent me back to include a vital aspect of the tangled web. Threading the story line throughout while maintaining conflict to its logical conclusion or resolution is a challenge. Well. This has been a an incredible journey. I&#8217;ve grown fond of my main characters. Next week for beTter or for worse, . Sending this out to the person who was the catalyst, making my screenplay come to life. No guts no glory!</p>
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